Kudos to Eesha Koppikhar, gleefully sinking her teeth into the grim and meaty role of Mumbai’s first female gangster, Shabri

There have been enough films made about gangsters over the years, but Lalit Marathe’s directorial debut, Shabri, manages to make a mark as one of Bollywood’s most authentic in the genre, reminiscent in parts of Ram Gopal Varma’s Satya and Mahesh Manjrekar’s Vaastav. Though it has been lying in the cans for almost five years now, it still has a freshness, because it looks shockingly real. Click here to read more